They won`t buy the idea. I know they won`t. If I was them I`d spot this shameless endeavour to blag a press lead to the Eurovision Song Contest a knot off.
Those people at the BBC are busy people. They haven`t got time to be bothering with cold calls from licence fee payers. That`s what the complaints line is for.
"Hello BBC switchboard?
I stood on one base and scratched the support of my leg with the other. A cigarette dangled from in between my fingers.
"Hello?"
I took a deep breath and plunged in.
"I want to talk to the manufacturer for Liquid News. Can I address to the manufacturer for Liquid News."
The argument went dead. I dragged on my Marlboro Light.
"Andrew speaking."
This was it. No turning back.
"Hello. My list is Jon Jacob. I`m working on a word around the Eurovision Song Contest. A story of it. No one seems to make written one. I wondered whether the BBC might be concerned in it. Do you love who I might talk to? I`ve really no idea."
Telephone conversations should be reserved for confirming arrangements. Effecting introductions late on a warm day in early Spring via the call are just release to be uncomfortable experiences for all concerned. Having received similar calls since working at the BBC I don`t get to remember heavily about the look on Andrew`s face.
"Well," he began, "I go on Liquid News but do love the Eurovision producer very well. I`ve done various live link-ups for Liquid News. I was in Estonia for last year`s contest _ "
This was rapidly turn into rather a surreal conversation. Suddenly my opening rather anxious gambit appeared forgivable in comparison. Shouldn`t people at the BBC be a little more focussed?
"_ You want to talk to Dominic Smith. He should be capable to serve you."
I lit another Marlboro Light.
"Hello. BBC Switchboard?"
This is a pass in the park. Easy.
"Dominic Smith, please."
"Dominic Smith?"
"That`s right. Dominic Smith. Eurovision."
"Please make the line sir."
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