The Great God Pan Is Dead: New Surfaces at Anya Tish

"On What?: New Surfaces Exhibition" at Anya Tish consists of three painters and one multimedia artist. The linking rule is that the artists work on unexpected surfaces, but this doesn't really work with Katja Loher, who is a tv artist. Dina Brodsky, Maya Brodsky and Maxim Wakultschik are all painters. Painters have traditional surfaces (canvas, wood, plaster) that has a traditional quality (easel paintings are straight and of a certain size, for example).

In the cause of these artists, they ironically paint in very traditional styles, but on unusual surfaces. The Brodskys (who I assume are sisters, but don't actually know), present a retinue of paintings done on New York City MetroCards. If you have ridden the tube in New York in the preceding 20 years or so, you should be familiar with them. They feel like this: They are the sizing of a credit card, and that's the main "oh, wow" factor here-the Brodsky paintings are so small.Anya or Dina Brodsky, NY City Metro Card painting, oil, mylar, MetroCard, 2010Anya or Dina Brodsky, NY City Metro Card painting, oil, mylar, MetroCard, 2010 One can't help but be impressed, but as art, this seems more like a stunt than an actual construction of something. I think one could infer a comment on the highly traditional rural subject matter and the very urban modern support, but that seems like thin gruel. Maxim Wakultschik's work is similar. Here, the coat is unusual because it is hemispherical.Maxim Wakultschik, untitled, oil on polystyrol, 2010 I like these better than the Brodsky paintings-they appear more personal. But still, one has to ask, what's the charge of painting them on hemispheres? When Jonathan Borofsky did similar works, he was experimenting with perception and psychology by forcing his viewers to support in a special order to see the work.Maxim Wakultschik, untitled, oil on polystyrol, 2010 So in the end, the artist whose form is most compelling in this show is the artist whose work least fits in with the curatorial concept can it. I saw Katja Loher's fantastic solo show at Anya Tish last class and loved it. The pieces in this show continue the work from last year, but are in a way even more startling.Katja Loher, RGB Well, hand blown glasses, liquid, video screens, plexiglass, 2010 When you approach RGB Well, it appears to be a shelf with three clear glass cups of liquid dyed red, green and blue. When you get close, though, you see that at the seat of each cup is a video.Katja Loher, RGB Well, hand blown glasses, liquid, video screens, plexiglass, 2010 The images are varied, but involve dancers in costumes in kaleidoscopic patterns. Loher sweats the details. She knows you will be looking at this project through colored water and designs the image with that filter in mind. Katja Loher, Double Bubble, hand blown glass, video screen, wood, 2010Katja Loher, Double Bubble, hand blown glass, video screen, wood, 2010Double Bubble is similar. The images of swimmers taken from above constitute the sense of seeing through water even more powerful. These are beautiful pieces. Photographs can't do them justice. You want to see them in person. The present is up through December 18, so you can see them if you hurry!